The ongoing dispute surrounding Kendrick Lamar’s alleged press run of The Documentary III lyrics has intensified, with Game vehemently denying claims of a diss. The controversy stems from the prominent placement of two distinct bars – ‘GNX’ and ‘raising the Boogeyman’ – within the album’s tracks, sparking intense comparisons to Kendrick’s artistic trajectory. During an exclusive interview with Real 92.3 L.A.’s The Cruz Show, Game addressed the ‘GNX’ line first, offering a detailed account of his ownership of a vehicle that served as the central visual element. He explained that the lyric originated from a car he actually possessed, stating, ‘Think about it. I had a GNX, and my chick at the time, she didn’t really want to ride in that.’ The context of this lyric further deepened the comparisons, as the bar was interpreted differently after Kendrick’s album release, he clarified, ‘Kendrick dropped the GNX album, so, I mean, it’s one of those things where you can take it how you want.’
Subsequently, the ‘Boogeyman’ reference has become a focal point, particularly concerning Kendrick’s collaborative work with Drake, which includes tracks like ‘No Brakes’ and several others throughout the album. Game maintains that his own lyrical content was about influence rather than disrespect, asserting, ‘As far as ‘raising the Boogeyman,’ I actually did.’ He further emphasized his prior support for Kendrick, highlighting his earlier mentorship and the significant impact his career had on his own trajectory. Game has also refuted claims of collaboration with Drake, stating that he does not view working with Drake as a betrayal, and that acknowledging his influence on Kendrick does not constitute a diss.
Game’s perspective is underscored by a consistent reiteration of his historical relationship with Kendrick, emphasizing the importance of his past interactions. The Documentary III showcases Drake’s involvement in the album, including several tracks that have fueled debate regarding Game’s subtle or direct criticisms. Throughout the rollout, Game has consistently denied any involvement in the conflict, even as he openly discusses the distance between them. Game has also stated that Kendrick does not pick up his calls, while repeatedly emphasizing the support he gave him earlier in his career. That history has become central to Game’s explanation of his current position – he does not view working with Drake as a betrayal, nor does he believe acknowledging his influence on Kendrick amounts to a diss. Game concluded by stating, ‘That’s just me being transparent after him being transparent,’ and added, ‘But, it’s all love, homie.’
The ongoing debate surrounding the ‘GNX’ and ‘Boogeyman’ bars underscores the complex dynamic between Game and Kendrick Lamar, leaving fans and analysts to decipher the potential implications of their contrasting perspectives.
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Source: HotNewHipHop
